Slaughterhouse-Five is a 1972 science fiction film based on Kurt Vonnegut's novel of the same name about a writer who tells a story in random order of how he was a soldier in World War II and was abducted by aliens. The screenplay is by Stephen Geller and the film was directed by George Roy Hill. It stars Michael Sacks, Ron Leibman, and Valerie Perrine, and features Eugene Roche, Sharon Gans, Holly Near, and Perry King. The scenes set in Dresden were filmed in Prague.[1] The other scenes were filmed in Minnesota.
Vonnegut wrote about the film soon after its release, in his preface to Between Time and Timbuktu:
- "I love George Roy Hill and Universal Pictures, who made a flawless translation of my novel Slaughterhouse-Five to the silver screen ... I drool and cackle every time I watch that film, because it is so harmonious with what I felt when I wrote the book."
Cast
- Michael Sacks as Billy Pilgrim
- Ron Leibman as Paul Lazzaro
- Eugene Roche as Edgar Derby
- Sharon Gans as Valencia Merble Pilgrim
- Valerie Perrine as Montana Wildhack
- Holly Near as Barbara Pilgrim
- Perry King as Robert Pilgrim
- Kevin Conway as Roland Weary
- Friedrich von Ledebur as German Leader
- Ekkehardt Belle as Young German Guard
- Sorrell Booke as Lionel Merble
- Roberts Blossom as Wild Bob Cody
- John Dehner as Professor Rumfoord
- Gary Waynesmith as Stanley
- Richard Schaal as Howard W. Campbell Jr.
- Gilmer McCormick as Lily Rumfoord
- Stan Gottlieb as Hobo
- Karl-Otto Alberty as German Guard - Group Two
- Henry Bumstead as Eliot Rosewater
- Lucille Benson as Billy's Mother
- John Wood as English Officer, credited as Tom Wood
Slaughterhouse-Five is the first of two feature films for which Glenn Gould supplied the music; Bach Concerto #5 in F Minor, BWV 1056, and Concerto #3 in D Major, BWV 1054 were recorded at Columbia Studios with the Columbia Symphony orchestra; some selections came from existing recordings, and two featured other artists, including Rudolph Serkin, piano, with Casals conducting Brandenburg Concerto #4 in G Major, BWV 1049, III Presto. The film used such a small amount of music that the soundtrack album added atmospheric excerpts from Douglas Leedy's synthesized triple album Entropical Paradise.
The prolonged rendition of the final movement of Bach's fourth Brandenburg concerto accompanies a cinematic montage as the main character first encounters the city of Dresden.
Awards The film won the Prix du Jury at the 1972 Cannes Film Festival,[2] as well as a Hugo Award and Saturn Award. Both Hill and Geller were nominated for awards by their respective guilds. Sacks was nominated for a Golden Globe.
See also
References
- Canby, Vincent. "New York Times movies pages". The New York Times. Retrieved 2010-05-23.
- "Festival de Cannes: Slaughterhouse-Five". festival-cannes.com. Retrieved 2009-04-13.
- Slaughterhouse-Five on IMDb
- Slaughterhouse-Five at Rotten Tomatoes
- Slaughterhouse-Five at AllMovie
- Review of the film by Vincent Canby
- Glenn Gould at the Movies, a Sony Classical recording with music from the film (including this 46-second clip in WAV format)
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